The Playbox Theatre Team

Founding and Executive Director of Playbox Theatre, Mary trained at the Royal Welsh College of Music & Drama.

Theatre credits include Oh What A Lovely War; Lysistrata; The White Devil; House of Bernarda Alba; Cinderella; Henry V; Twelfth Night and A Midsummer Night’s Dream. Film work includes Sir Gawain and The Green Knight.

Mary has also directed numerous productions for Playbox Theatre including The Boyfriend; A Midsummer Night’s Dream; Pinocchio; The Grimm Trilogy; NEWS; Cinderella; Oddweek; The Red Shoes; Strikes; Kinderstransport; Yerma; The Little Mermaid; Cabaret; The Mysteries; The Houses of Bernarda Alba; The Taming of The Shrew; Sleeping Beauty; Playhouse Creatures; Wonderia; Pippi Longstocking; The Tempest; Macbeth; The Merchant of Venice; Laura Spinney Hills & The Turbo Donkey; Dave’s Amazing Trainers; The Princess & The Pea; Scarlet Pimpernel; How To Be A Superhero; Haito The Tree Wizard; The Little Match Girl; Bad Girls; Double Act; Beautiful Soup; Heckedy Peg; Blue Stockings; The Three Musketeers; Games & Thrones: Henry VI; Teeny Tiny & The Witch Woman; Rats Tales; Formula X; Grimm Tales and The Wizard of Oz.

Recently, Mary directed Much Ado About Nothing for Shakespeare Young Company, and Martyr by Marius Von Mayenberg.

Mary’s production of The Dancing Bear & The Hunter In The Stars opens Playbox’s Autumn 2021

With over two decades as an Associate Director and as Literature Associate for Playbox Theatre Company, heading up many of the company’s most established Training and Performance centres – as well as Founding and Artistic Director of the ground-breaking Blank-Shift Creative Writers’ Workshop based at The Dream Factory – Toby is one of the region’s leading theatre practitioners.

Toby graduated with Honours from Bristol University’s Drama; Theatre, Film and Television course in 1999, and with Distinction from the University of Oxford in 2013.  He is a highly experienced writer, actor and director whose work has taken him across the world, and his dynamic and cross-disciplinary approach to training has led many towards similarly successful and rewarding careers in the performing and creative arts.

Acting for the stage includes the title roles in Macbeth and Henry V; Puck, Malvolio, Warwick, Claudius and Bolingbroke — all for Generator Theatre. For Dead Protest – Estragon in Waiting for Godot and Lussurioso in The Revenger’s Tragedy.

As a director, Toby’s recent stagings include Playbox Theatre’s productions of Beowulf, Framed, Treasure Island, and Skellig.  For the Playbox run Ustinov Theatre School (UK), he also created and directed Paradise Kill, Gutterhead and Catching Flies.​

Writing for the stage, his work numbers more than forty adaptations and new commissions.  Among them – The Shadow Roads, The Fallen (Edinburgh Fringe and Santa Monica Playhouse), Chalk Walls (RSC Summerhouse), Gravediggers (Warwick Arts Centre/Battersea Arts Centre), West Country Gangster, (Regional Tour), Oddweek, Dave’s Amazing Trainers, How to be a Superhero! (The Prince of Wales Trust), Delicious Oeshee! (Tokyo Tour 2006), Alice in Wonderland, Hedbull, The Snow Queen, Monkey (USA Tour 2008/2016/2018), The Story of the Jaguar and the Old, Old World, Blank-Shift’s Gretel and the stage treatments of S.F. Said’s Varjak Paw and Kate Brown’s Spider Moon. His latest works for Blank-Shift with Playbox Theatre, (Midnight in Raisin Town and Mariner) will premiere in the coming season.

Owen trained at Playbox Theatre and Mountview Academy of Theatre Arts graduating in 2007 where he received 1st class honours in BA Performance – Acting, as well as distinctions in stage combat and performance.

Owen joined Playbox Theatre at the age of 10 and, during his time with the company he appeared in many productions including playing title roles in Hamlet, Oedipus Rex and Don Quixote. Other Playbox productions included Romeo and Juliet (Mercutio), The Boyfriend, Cabaret, ‘Tis Pity She’s a Whore, Clockwork Orange, Believers, Peter Pan (JM Barrie), Treasure Island, Beyond Beauty, Antigone, Henry IV parts 1 & 2, The Railway Children, and Winnie The Pooh (Eeyore). He was also involved in several USA tours to Santa Monica Playhouse.

​Recent acting credits include:  The Lion The Witch And The Wardrobe (Birmingham Rep and West Yorkshire Playhouse); The Inn at Lydda (Shakespeare’s GLOBE); The Duchess Of Malfi (Southwark Playhouse); As You Like it; A Midsummer Nights Dream, An Enemy Of The People and 6 Characters In Search Of An Author (Aquila Theatre Company – OFF BROADWAY – New York); Chalk Walls (Dead Protest Theatre Company directed by Toby Quash @ RSC Summerhouse); Title role in Edward II (Eyestring’s Theatre Company); A Dolls House, The Duchess Of Malfi, A Midsummer Night’s Dream, Twelfth Night, and Richard II (Generator Theatre Company); Blood Wedding (Directed by Phil Wilmott), Picasso (starring Antonio Banderas).

​Owen currently acts and narrates for the Birmingham Royal Ballet in their First Steps programme, performing with a 60 piece orchestra and a full company of dancers in front of huge audiences, introducing ballet to a younger audience between the ages of 3-7 yrs. Birmingham Royal Ballet productions include Swan Lake, The Dream, Cinderella, Coppelia, Sleeping Beauty and Aladdin.

​He is currently in rehearsal for Peter and the Wolf with Birmingham Royal Ballet.

​Radio and Voice over work includes The Nativity (BBC World Service) and narrating original children’s stories entitled Sir John The (Mostly) Brave and Cap’n John The (Slightly) Fierce for Oakhill Publishing LTD.

​Owen directs many workshops for Playbox including heading up several of our Warwick centres,  and numerous education workshops exploring stage combat, Shakespeare and contemporary works. 

Liam joined Playbox Theatre at the age of eight and during his time with the company he appeared in many productions, taking lead roles in: Skellig, The Jungle Book, James and the Giant Peach, Puss in Boots, Alice in Wonderland, The Wizard of Oz and the US tour of Monkey to Santa Monica Playhouse. He then went on to train at The London Academy of Music and Dramatic Art (LAMDA) graduating in 2014 with first class honours. 

Liam has worked for the company for many years in different capacities and now heads up two new exciting training programmes, ‘Acting For Screen’ and ‘Fight Lab.’ Liam received his theatrical fight qualifications at Distinction level whilst at LAMDA from the BADC (British Academy of Dramatic Combat). He has choreographed fight sequences for stage and screen, his work as Fight Director for Playbox Theatre includes Peter Pan and The Three Musketeers. Liam was Fight Director for Playbox Theatre’s 2021 production of Hamlet.

Isabella James (Izzie) is a theatre practitioner who specializes in facilitation with young people. Storytelling, devising and improvisation are her key specialisms. 

Trained in Arts Management at Birkbeck University, Izzie also works as a producer for various theatre companies and arts organisations. 

A keen writer, Izzie has created her own scripts for youth projects and worked as a dramaturg for writers and directors. 

In 2020 she created her own company YoYoJoy, which delivers educational escape rooms in schools. After spending 8 happy years as a Playbox member, she has regularly returned to run acting workshops as part of the team and now heads up several of the company’s weekly workshops.

After ten years of working in Credit Control for a well known local heating manufacturer, I gave up work to raise my children. As my eldest grew, it became apparent she was born to perform! At age 4 she began her dance career, dragging us all along with her! But, despite being rather good at it, it became obvious that her passion was acting.

So in 2014, we enrolled at Playbox Theatre. She was cast that first year in their amazing show, Wonderia, which is when my involvement also began, as a parent helper back stage. This became the norm for any show she was in. And some she wasn’t! I eventually became a Warwickshire Chaperone and would Head back stage.​

At this point I knew I needed to think about working again. With both girls now enrolled, and our whole family’s love of Playbox, what better place to find a job! So in March 2018 after helping move the membership database over to a new system, I applied for the membership role!​

I can honestly say I have never worked for a more wonderful company. I hope to be here for a very long time!

Dave Maddock has been Head of Business Affairs at Playbox since 2002 following early retirement from NatWest Bank as a Senior Business Manager.

Carol has worked for Playbox since April 2000, just a year after Playbox opened The Dream Factory. She started as an Information Officer and is now responsible for distributing Playbox Theatre’s literature to schools, shops, hotels, leisure centres and libraries throughout Warwickshire and the West Midlands. Carol loves working for Playbox and hopes to continue to do so for a few more years yet!

I started my Playbox Theatre journey at age 9, attending sessions in Stratford-upon-Avon. Little did I know it was the beginning of decades of time within the Playbox Family.  

After many years of attendance, I began assisting my director, Emily, probably becoming the longest running Senior Assistant, as I just had too much fun!  I studied Early Years education alongside work at Playbox, and both were a great help to one another.  

 My many roles within the Playbox world began with working alongside directors during the preschool ‘Early Stagers’ programme. This then developed into my own role as an educational director, running sessions with several schools, as well as at The Dream Factory. I absolutely love bringing energy and magic to outside settings, giving them an insight into the wonderfully creative world of drama.  

This then developed into working within The Dream Factory as an Information Officer and supporting the facilitation of Playbox Parties – this role was fantastic and gave me the opportunity to meet lots of new people.   

I then took a break to continue my work in early years and education, and to have two wonderful children of my own. With my daughter, then aged 3, beginning her own Playbox Journey it was the perfect time to come back to The Dream Factory.  

I have now taken over the role as Head of Children’s Welfare and look forward to the exciting times ahead.  

After graduating in Maths & English, Lisa embarked on a career in marketing, working mainly in agencies in the Cotswolds, Birmingham and London. After a brief spell in client-side marketing for a publisher, promoting everything from children’s books to medical manuals, she returned to a senior management role and agency life. 

Working on brands such as Sky TV and being part of the team that launched The Disney Channel, meant working with clients, creatives and a team of experienced account managers. This lead to being part of an MBO,  and the role of Client Services Director. 

Following a short career break, Lisa continued as a freelance marketing consultant working in automotive, and with local consumer service businesses in Warwickshire. 

Lisa has one son who is an active member of Playbox workshops and is represented by Playbox Agency. She herself has not set foot on stage since playing Peter Quince in the school production of A Midsummer Nights Dream in 1984… and does not intend to ever again! Her role is very firmly, front of house. 

Heather claims she doesn’t work at Playbox, she “just has fun” . Knitting, sewing, embroidering and the like since childhood, she can’t draw, can’t make a costume from the creative’s sketches. (give her a pre-printed pattern, pattern, she’ll have a go), but she enjoys turning directors’ ideas for masks into reality, running up toile skirts for flatware with not a lot of time to curtain up, turning chocolate gateaux into Christmas cakes, making the most outrageous wedding veils for evil step-mamas, sausages from old tights and shredded paper, attempting to keep the ‘Narnias’ (the name of our Wardrobe Department) tidy, the props in good nick and the costumes clean and repaired. In other words, she gets to let her slightly batty sense of artistic creative humour run riot AND she gets to clean and tidy ! What more could a girl want ??

She believes every cloud has a silver lining and rainbows of every variant are special, sometimes magical. She knows she’s the luckiest wardrobe mistress in the world. Here in The Dream Factory, during the urghs of lockdown, was born New Narnia, which Heather knows knocks the socks off any other theatre wardrobe space. Oh – and sometimes she bakes cakes.